Does anybody here remember Vera Lynn?
Remember how she said that we would meet again....

Why the Pink Floyd reference? Err, I dunno. The only Floyd albums I've listened to in the last few months have been Atom Heart Mother and Obscured By Clouds, neither of which contain the song that the above is taken from (that's from The Wall). This is just a random lyric that appeared in my head.

Listened to Tortoise's Standards, Banco del Mutuo Soccorso's Io Sono Nato Libero, Sigur Rós's Ágætis Byrjun, and Cul de Sac's Ecim. The Tortoise, Banco, and Sigur Rós are all known quantities to me. The Cul de Sac was a bit new. It's a CD I've had for a while, but have only listened to once. Second impressions? Good but very uneven. There are great moments of Krautrock-influenced stuff, but other parts are lame or annoying (couple songs with painful vocals). Their most recent album, Crashes to Light, Minutes to Its Fall is much better - at least, that's my opinion, based on my one listen to it and my two listens to Ecim. Cul de Sac certainly deserves some more listens, that's for sure...

The symphonic rock drought continues. I've started listening to La Torre dell'Alchimista's self-titled debut album. It's one of the most highly praised prog-rock albums of the year, but it's not doing anything for me. The instrumental sections of a few of the songs are cool, but the vocals (*sigh*) leave much to be desired. There's also a disconcerting lack of distinctness... it sounds like a prog formula. They get compared to Solaris, but only the best instrumental sections remind me of Solaris. I'll stick with the real Solaris.

Maybe more listens will bring on a change of heart. I kinda hope so, because it's unsettling to be this cold to a very well-liked new symph-rock album. Plus the band will be at NEARfest next year.

Hmm. Looking through some Fresno local band gig listings, I spy a band called Sleepover Disaster, who list My Bloody Valentine and other "shoegazer" artists among their prime influences. Also compare themselves to Radiohead. Naturally, name-checking done by the band themselves always has to be taken with a grain of salt. It's worth mentioning that Radiohead is the only "popular" artist they list (don't know that I would call Catherine Wheel "popular" in the same sense). They play a gig next Friday night. I would normally frown a bit at a $7 cover charge, but that charge includes a free copy of their new CD (which isn't *really* free - it's most certainly in the $7 charge - but it makes the charge much more acceptable). I'll be there next Friday. I hope they don't suck. Sure would be nice to have a good local band to see live on occasion.

Another band, called Brand X Savior, mentions Tool and Alice in Chains as influences, but also lists a number of other metal bands like Pantera, which worries me. Many other bands don't even have anyone like Tool listed, but rather Slipknot, Staind, etc. etc.

Whoa... a band called Superfluid Helium 3 from Fresno is a spacey/droney/indie-pop band. This could be cool. Listening to some MP3.com samples.... wish the vocals were better. The instrumental song (their only one, according to the description) was quite good. Guys, it's OK to be instrumental. Especially if your vocals aren't that great. I'll catch this band's show too.

This has been a rough week, but it's over now. Actually, it was basically "over" after the conclusion of my Calculus exam. After I got home, I threw some music on. I listened to Edera's self-titled demo CD (reviewing for Progweed.net) and then Yes's new album, Magnification. The two were similar in that neither were distinct enough tt break through my mental dissonance and capture my selective attention. After (not) listening to these, I needed something distinct, and fast. I reached for my Faust box set. Problem solved. The Faust Tapes managed to do what boring orchestrations and neo-progmetal could not. God bless you, Faust.

I did listen to Stereolab's Transient Random Noise-Bursts With Announcements in the car today. That was nice. For music that basically defines harmonic oversimplicity, it sure is fun to listen to. A lot more so than the Yes album, that's for sure.

The Rachel's Selenography is another very good album of note. It's virtually neo-classical. It's hard to believe that this group contains members from the Slint-clone Rodan. It's link to rock is tentative (found mostly in the near-constant presence of a drum kit), but that link does make it sound like the recent album that it is, as opposed to something composed in the Romantic era. Of course, "indie kids" will listen to this and love it, but will never touch a classical record, because, like, that's so uncool. Too bad for them. I like classical, and I like Rachel's.

My Bloody Valentine's Loveless is amazing. Call it noise-pop, dream-pop, "shoegazing", whatever... doesn't matter. All I know is that they get a wicked sound down on tape. I found out at the band's entry at AllMusic that Loveless cost $500,000 to record - nearly bankrupting their label Creation Records. The money was well-spent, though, because this album has a sound that I haven't heard anywhere else.

Interesting discovery from going to the doctor's office today - it appears that I have lost about 10 pounds since leaving my hometown and moving out on my own. The interesting part is that I was sure I had gained weight - I had stopped exercising (previously worked out at my junior college), and I haven't been eating any healthier. I think the key has been that I have been eating less... no more of those big home-cooked dinner's of my mothers, nor the snacks she would keep the house stocked with. I won't make those same sort of meals for myself, nor do I buy many snacks, so I have just sorta been getting by with less food. This is encouraging, because logically, I should be able to lose weight at a much more rapid rate with exercise and a less fattening diet.

Blogger foul-ups have deleted TWO posts of mine (yesterday's and today's). I'll try to hit the highlights as best I can:

Yesterday's post:

(1) I started an exercise regimen with my stationary bike (see 10/6 post). I'm going to ride the bike for 20 minutes, 7 days a week. No excuses offered, none accepted. I will also be augmenting this with two-to-three days per week of weightlifting, as soon as I can figure out how to integrate it into my schedule (CSU Fresno's gym is only open to the general student body for very limited hours each week, so it will be a bit tricky finding the time to get there). The stationary bike, however, is in my apartment's patio/yard area, so that's always available. After a few weeks, I will up the ride time to 25 minutes, then to 30.

(2) Listened to an Einstürzende Neubauten album for the first time yesterday. Einstürzende Neubauten are one of the pioneering artists in "industrial" music, and is my first exposure to the heart of that genre. Interesting stuff. I look forward to seeing what else industrial music has to offer.

Today's post:

Yesterday (yes, I begin today's post with a mention of yesterday), I bought a frilly, doily shower puff (think "but Ironhead, what's this thingie?"). And I'm no less a man for it! I need something nice to keep my bod clean with (and though you would think the thing would be soft, it's actually about two steps away from a steel wool - though I imagine it will soften up a bit after being used a while). I also bought a back brush... that thing's only one step away from the steel wool. Those of you laughing at me, well, let's face it, you're so staaanky that I can smell you from here.

It has now been 9 days of symph-rock sadness. I haven't really tried listening to any new symph in these last couple of days, though. I did listen to Latte E Miele's Passio Secundum Mattheum today. It's a good album, one of the second tier '70s Italian symph albums. Listened to it in the car, until I walked into Subway to get a sandwitch for dinner. While inside Subway, I heard Starship's "We Built This City" on the radio. Upon returning to my car, I scanned the FM radio frequencies to find the station playing the song, and sang along the rest of the way home. It's OK, the Latte E Miele was almost over anyway.

Latest music discovery: a German jazz-rock (in the Isotope 217° sense, as opposed to the Mahavishnu-esque fusion sense) group called Kammerflimmer Kollektief. Isotope 217° is the immediate comparison, though Rob Mazurek's cornet is nowhere to be found. Instead, analog synths, static noise, and saxophones play the melodies (when there are some). The music does have the same percussion-centric style that makes Isotope 217° so darn cool.

Test

Drove down to my parents' house today (since everyone came up to visit me, it was time for me to head down there m'self). Took a stack of CDs, as usual. Among them was Hands Palm Mystery. I didn't get into this the first time I heard it, so I wanted to give it another shot. The verdict? Errrrmm...... still not really digging it. I understand that their self-titled 2nd album is better. Still, this one seems just like the Yezda Urfa that I recently acquired (Sacred Baboon)... they just aren't appealing to me very much. Is symphonic rock losing it's grip on me? Good instrumental symph still appeals to me much (like Pulsar's Halloween and Shylock's Ile de Fievre). But stuff with vocals is failing to grab me, outside of some of the faves like Gentle Giant. Classic Italian symph seems to be exempt from this, but newer stuff (like La Torre dell'Alchimista) does not.

So, let's run a counter. It basically started when the Yezda Urfa failed to "0wn" me when I first listened to it, one week ago. Sooooo... it has been 7 days since a new-to-me, non-instrumental, non-fave, non-classic-Italian symphonic rock album has "0wned" me. Let's see what album manages to break this funk.

Of the other CDs that made the drive with me, Henry Cow Leg End (original mix), Ui The Iron Apple EP, and Weidorje's self-titled all were pleasing.

As someone that listens to rather, err, "unconventional" music, I often have to be mindful as to how people around me will react to the music I listen to. A lot of music that I listen to basically has "prerequisite" listening (i.e. you should hear *this* band and *this* style of music before exposing yourself to this), and without exposure to those "prerequisites", the music can be irritating or downright painful. As such, I try to be good about what I play while others are around.

My parents drove up to my place last night, to bring me an exercise bike (which I have been waiting on for weeks now) and take me to dinner (w00t). Since they came in a pickup truck, and scurrying around Fresno crammed three-to-a-bench-seat didn't sound like a good idea, we all got into my car instead. And of course, my car = my music. I was nice, though, and just grabbed an Ozric Tentacles disc (Erpland). After dinner, my father inquired (halfway interested) about the CD (well, he just asked "Who's this?", but when he asks any question about music I listen to without appending displeasure to the initial comment, it means he is intrigued (and perhaps even "likes") what is being played).

Today, my best friend from my hometown came to visit me. He wanted to do some shopping in town, so we got into my car and cruised around Fresno. I took Turing Machine's A New Machine For Living and TOOL's Lateralus with us. He had a few kind words for the Turing Machine. When the TOOL came 'round, he commented about how it "sounded mainstream" compared to what he usually hears out of my collection. He enjoyed both discs, so it was all good. But next time, I'm pulling out the Koenjihyakkei. :)

Yes, I am posting in my blog more, again. The reason is basically that I have begun listening to more music than I have been for the last few months. I have resumed my ritual of laying down on my couch and putting on a couple of albums per day. I have some promos from Prete (Progweed.net editor) to listen to and review - currently working on the Edera self-titled demo disc (dramatic prog-metal with an annoying tendency to fill every waking moment with sound - no space to be found). I listened to a Tribes of Neurot album today, too. It's basically industrual/post-rock played by a metal band (Neurosis). Naturally, they have a habit of making their drones a bit "harsher" sounding than someone like, say, Neurot Recordings label-mates Tarentel.

I also found a little "Industrial Primer" article online today. It's not terribly good, but it gave me some bands to check out. I have become increasingly distant from the "prog-centric" musical viewpoint that I held a couple of years ago. Pure symphonic rock does less for me now than it did before - I find the smooth dronings of post-rock to be more "beautiful". Zeuhl still interests me greatly, as does stuff that is "different" (like Azigza). But a Prog Band (tm) is not too likely to get me worked up in a frenzy. A lot of people love La Torre dell'Alchimista, and while I have only heard two songs from their album, there's nothing there that makes me want to rush out and buy it. I do look forward to seeing then at NEARfest 2002... maybe they can win me over there.

Right now, I'm listening to Halloween's Le Festin, which is held by many as one of the better prog-rock albums of 2001. Unfortunately, it's not doing much for me. My biggest complaint would be the same one I hold against the classic French prog band Ange - the music is too centered around vocals, drowning out everything behind it. I do like some of the instrumental passages, though. Maybe it's a grower... I dunno, I keep trying to grow to like Ange, but I keep failing miserably...

Hmm. A subscription to Wire Magazine costs $85 (for 12 issues). Buying it at Tower cost me $6.95.

$6.95 x 12 = $83.40

Of course, a subscription comes with some bonuses (either sampler CDs or four extra issues, buyer's choice). Still, I would think the markdown should be way more than that. I will probably keep buying issues from the newsstand - $83.40 spread out is less of a hit than $85 at once. If I keep really liking the mag, I may subscribe and take the free issues. We'll see. In the meantime, I need to subscribe to Exposé and Audion. THOSE I know I want. Still, I want something that gears less towards progressive rock and more towards the indie/electronic scenes, and Wire would fit that niche nicely.

What should we do today?

Listened to Tortoise's TNT on the way to work/school today. Haven't dug that out in a while, but it re-affirmed why it is still my favorite Tortoise disc.

Later, after classes, I drove around running a few errands, and had Miles Davis's Bitches Brew in the CD player. Actually, the Complete Bitches Brew Sessions, CD #1. You know, I might end up buying the regular 2CD version of that album, despite having the 4CD box set. It's great music to listen to while driving (good jazz/fusion tends to be), but the box packaging is not very convienent for the car. Same with Magma's Trilogie Au Trianon - despite being a compact box, it's still not convienent. I like jewel cases because I can open them up, take the CD out, and put the CD into my car stereo without ever taking my eyes off the road. And here's a safe driving trick: when you have a bunch of CDs in the car and need to find a certain one, just grab one and hold it up next to your view of the road, and glance at it. You can see what it is, and not take your eyes off the road for any longer than you do to glance at your rear-view mirrors and such. If it's not the right one, then put it down and grab the next one. Might take a few tries, but it's MUCH safer than looking down and digging through them and not paying attention to the road. Don't hit me with your car!

Anyway, after all that, I went home. I was tired, and the couch looked inviting. I took this opportunity to listen to Tarantel's From Bone To Satellite. I need to get my booty up to San Francisco and see these guys play live. I missed an opportunity to see them and Zoviet*France (and meet a friend from rec.music.progressive) because my job started that week. But Tarantel is located in SF, so I should get a chance to see them. I wasn't seeing anything while listening to From Bone To Satellite, though, as I dozed off on the couch. When I awoke, I looked at the clock and noticed that my Physics class had already started. Whoops. Oh well, it wasn't an important day of class, so no big deal.

After swinging by my boss's house to pick up her computer (doing some maintenance work on it), I went driving around town. I had Fates Warning's A Pleasant Shade of Gray in the car stereo. Damn, but that's a hell of an album. It's one of the indispensable discs in my collection. I didn't much like it when I first got it, but back then, my notion of "prog" was musical gymnastics a la Dream Theater. Over time, that perception eroded, and the Fates Warning disc was given it's chance to shine. I think I may have told this story here before, but too bad. You get to read it again.

So, while driving in town, listening to Fates, I stopped at Tower Records. I was distraught when I noticed that not even Tortoise were in their "rock" section. I tend to judge music stores by their "indie" stock (after all, you can get Fleetwood Mac CDs anywhere). Well, after not seeing anything at all, I started looking for the jazz section. Maybe they at least had the Art Blakey album I want. Well, I looked and looked, and did not find a jazz section anywhere (despite a number of jazz artists, like Louis Armstrong, appearing in the budget bins). While searching, however, I found an "indie" section to the store. And what do you know, there was the Tortoise and Mogwai, and more. The Sea and Cake, Tarantel, even some prog-metal (Therion, Symphony X, and Zero Hour) were there. Woo! Also some electronic artists like Isis. Lots of San Francisco indie band lovin' (like Tarantel and Neurosis, but no Sleepytime Gorilla Museum... *sigh*). The sections were divided up by genre (rock, industrial, spacerock, metal, etc.) Well, I grabbed the Tarantel (their new album, The Order of Things) as well as a copy of Wire magazine (with the Japanese psych-rock band that I just read about at Pitchfork and downloaded an album of - Acid Mothers Temple). I've wanted to read an issue of Wire for a while now, and since their cover story is a band that I am very freshly interested in, now seemed as good of a time as any.

So I'm home now, listening to Tarantel and opening up the Wire mag.

I like Anekdoten... don't get me wrong. HOWEVER, the vocals on a number of tracks on From Within convince me that I too could be a vocalist on a real album. I couldn't be any worse than some of these.

In the liners of King Crimson's The Nightwatch, the sound engineer (David Singleton) says that the 1973 Amsterdam show represented on this 2CD set might have actually began with "Larks' Tongues in Aspic, Part I" rather than "Easy Money" (which is where the CD starts). However, the master tapes apparently lacked Larks' Part I, so it couldn't be put on the CD. Total bummer. I would've loved to have heard that. Guess I'll have to wait until I get a copy of the Great Deceiver 4CD boxed set.

I will spend next week (Monday through Friday) at Pismo Beach. Much like my last Pismo trip, I will have a small army of CDs with me, and will get some quality listening time in. I think I'll hit Borders and Best Buy and Tower Records this week. At the same time, I have a number of CDs that I have barely listened to (or not even listened to at all), and need to get to those.

I live!

Damn, it's been a month! My approximately tri-weekly posts disappeared for a full month. Why is that, you ask? Well, pretty much for the same reasons as last month's post: moving, becoming acquainted with a new city, etc. etc.

Odd musical obsession for the week: Spiral Architect's A Sceptic's Universe has continuously found it's way into my various CD players after months of absence. As someone that doesn't much care for metal (prog or otherwise), it's odd to enjoy an album like this one as much as I do. Things that would normally bother me, like the lead singer's occasional (well, maybe a little more regular than occasional) screetches and howls, don't really phase me on this record. The mixing job on this album is something that I specifically like. The bass is mixed up-front and cleanly, and thus doesn't get lost behind the rhythm guitar wall-of-sound (something that seems to happen on a number of metal albums - I don't know the last time that I specifically heard John Myung in a non-bass-solo part). Maybe the bass up-front mixing would be considered amateurish by some seasoned studio wizards. All I can say for sure is that *I* find it preferable to the more typical "where's the bass? It's in there!" metal productions.

I can not sing. However, that never seems to stop me from trying.

King Crimson's The Nightwatch 2CD live set has been a regular in my stereos as well. I sure do enjoy a lot of the Starless & Bible Black material sans-overdubs.

I want a cello. Maybe when I find a job and begin earning some money, I might buy myself one.

Everyone's copy of NHL 2001 should have the Alamaailman Vasarat "dittie" that I have customized in my own. Only in my virtual NHL arenas can one hear Vasarat, Ratt, Birdsongs of the Mesozoic, Whitesnake, Kenso, Quiet Riot, Deus Ex Machina, and Night Ranger in the span of a few minutes.

"Motoring! What's your price for flight?"

If I were granted only one wish from a magic genie, I would use it to secure my financial future for life and for the lives of my future offspring (and their reproductive achievements, and so on). But if I had TWO wishes, I would use the second one to get a lock of Steve Wilson's hair!

I bought the new remaster of Leftoverture by Kansas. The quality is good, but the disc raises a complaint about the inclusion of bonus tracks. Now, while I am usually a strong "bonus track advocate", the two lackluster live tunes that have been grafted to the end of this rather nice album really rub me the wrong way. I mean, they bite. The vocal performances bring tears of pain to my eyes, and the eyes of anyone within earshot. Certainly not all live Kansas could have been this poor? Surely someone has soundboard tapes of really good performances locked away somewhere. These selections sound as if those responsible for the CD's production just grabbed the nearest Kansas live tape and ran with it.

"Cum on feel the noize! Girls rock your boyz!"

"vox estote Vos: principes muti eae com sint, leges vos loquentes. Eis ex principiis perpetuis omnes homimum easus et actiones dirigenda!"

I was going to type more, but NHL 2001 calls to me.

These last couple of weeks, pursuing young women has taken a back-seat (no pun intended!) to a score of more pressing concerns. To be precise, I now have a university to transfer to (California State University, Fresno), an apartment (a 1-bedroom loft about two minutes away from CSUF, which I will be completely moved into after finishing my finals next week), and the ever-nearing end of my 4th and final semester at Porterville. After I finish moving and dealing with all of that crap, I will resume my regularly scheduled getting-shot-down-repeatedly. :)

Some new music bits:

King Crimson's Heavy ConstruKction is surprisingly good. I picked up a copy after some of the #progrock chatters insisted that it was a strong release. It's a 3CD live set, with the 3rd CD consisting entirely of improvs. Good stuff.

Tortoise's Standards and Mogwai's Rock Action have grown on me quite a bit. I was pleasantly surprised to see both of these CDs featured at Borders. The Borders mini-blurb called Standards "... perhaps their most accessible offering to date", which I had to chuckle at, because it strikes me as being rather inaccessible compared to TNT or Millions Now Living Will Never Die. Not that I would call Standards "inaccessible" on it's own, but as it relates to those two, yeah.

Magma's Theusz Hamtaahk box set is a wonderful little package. I must shamefully admit that I don't own the studio Wurdah Itah, nor do I have Retrospectiw I-II for the first released performance of "Theusz Hamtaahk". I do, however, have Mekanik Destructiw Kommandah. The version from this box set seems to have rather weak brass hits, but the drumming is sufficiently powerful.

NeBeLNeST's self-titled album really does something for me. I guess I just have a thing for spacey jams, but a lot of bands in that vein fail to do it for me. Needless to say, I eagerly, eagerly, eagerly await NeBeLNeST's Bob Drake-produced sophomore effort.

Iona's Journey Into The Morn.... got it from BMG... y'know, I like this album a lot more than I ought to. I probably should hate it. But instead, I've walked around for entire days, singing "WiiiiiiiIIIIIIIiiiissdom!" to myself... (God descends over Legion, looks down, laughs, and shouts "All your soul are belong to me!")

Some recent grabs that I haven't listen much to yet:
Thinking Plague - Early Plague Years
King Crimson - Epitaph (2 CD)
The Science Group - A Mere Coincidence
... and about 5 more I can't think of right now. Right now, my room is a mess of boxes, papers, and more boxes (as mentioned above, I'm moving into my own apartment in Fresno, so I'm packing and moving most of my stuff now, and then will only have to move a few things after finals).

"WiiiiiiiIIIIIIIiiiissdom!"

An interesting side note: a group of us at rec.music.progressive have decided to start a prog concert bootlegs group. Basically, we're going to work with some serious prog show tape collectors, and transfer their tapes to CDR (cleaning them up in the process), and then distribute the CDRs among our group (as well as to the tape collectors). Anyone interested in possibly participating is urged to e-mail me (see "E-mail *Legion*" link to the left). We're setting it up so people without tape transfer or CD burning equipment can still participate.

This week has, for the most part, sucked. Of course, every week leading up to the end of a semester sucks. It's just straining, that's all. Anthropology test, Psychology paper, Creative Writing story, and Calculus. Not fun.

Music, however, has been great this week. I really "clicked" with Birdsongs of the Mesozoic's Petrophonics, Godspeed You Black Emperor!'s f#a#(infinity), and Supersister's Present From Nancy this week. I had liked each of them prior to this week, but they each took on a new and higher meaning after being listened to this week.

I've been downloading a lot of bootleg MP3s. Jaco Pastorius, Dream Theater, Godspeed You Black Emperor!, Do Make Say Think, National Health, Miriodor, and A Silver Mt. Zion live bootlegs all now reside on my PC (soon to be archived to CD-R).

Currently listening to Magma's Mekanik Destructiw Kommandah. TOO COOL.

I bought five classical compilation CDs today. I wasn't looking to, but Wal-Mart had the audacity to sell them for only $1.96. One of them is a Tchaikovsky comp, one's a Beethoven comp, one's a Mozart comp, and the other two are piano comps with material from varying composers. I'll most likely replace them as soon as I become a "serious" classical collector, but they're welcome for now.

As for the girl mentioned last week... I'm thinking about biting the bullet and calling her up tomorrow.....

(this message was posted Saturday afternoon, but was written Friday night - all mentions of "today" mean Friday. Blogger's server was down when I tried to post this Friday, so I had to wait until the next day).

OK, today's morning ride music was Atlas's Blå Vardag, wonderful instrumental symphonic Swedish prog. Helped get me in a good mood, which got me through my Calculus exam that morning.

This evening, I attented a lecture at the college about forensic anthropology. I noticed when entering the lecture, there was a track meet going on at the stadium. It wasn't a college meet... it was a high school meet.

Now, let me rewind a few weeks. After an evening class a few weeks ago, my parents called me and told me to come to the stadium to see one of my cousins in the meet. I declined until they upped the offer to a good dinner as well. So, I go to the meet. I'm watching, bored, when this girl (one of my old high school's track team's members) comes up to me. She asks me if I remembered her....

Rewind two years. Senior year in high school. Trigonometry class. I sit next to this girl, who is a sophmore. I'm 17, she's 15. I think she's cute, but mostly she's just a real nice person that I consider a friend. Plus, she's not allowed to date until she turns 16 anyway (which is later that year, but perhaps too late). And I don't have a car yet.

Fast forward back to this year. My little brother is a freshman at that high school, and this girl is a senior. Both are involved in a "mock trial" club on campus, so she's sorta in touch with the family.

Fast forward back to the track meet. These last two years have treated her well. She was cute then, but she's much prettier now at 18 (she fared rather well, as I recall, in an area beauty pageant). She's asking if I "remember her" (like I could forget). I'm pre-occupied with thoughts of the other girl discussed here before (you know, the one that already had a boyfriend... boy, don't I pick 'em good). I have a friendly conversation with her, but my family (immediate and cousins) are right there too, so I'm not going to be saying too much. Plus, again, still planning on asking out that other girl. I was curious about the fact that she (the track girl) would come up to me out of the blue during her track meet to talk to me...

Fast forward back to today. I'm getting out of the car, and heading to the lecture. I hear the meet going on. I need to attend the lecture, but I bet that the meet will still be going on in an hour (when the lecture ends). So I go into the lecture, and plan on heading out to the stadium afterwards.

Lecture ends. It's raining outside now. The meet is still going, though. I enter the stadium. I hear the girl's name called out over the loudspeaker (reading off the results of an earlier event). However, try as I might, I couldn't find her. As I left the stadium, I noticed that many of the athletes were getting out of the cold by sitting in the school buses right outside the stadium. Considering that the two local school buses appear to be nearly full, I conjecture that she's on one of those buses. I'm in no position to go trampling through a school bus (especially since I'm not sure what I'd do when face-to-face with her... who knows, maybe she's just being friendly, she might have a boyfriend, but it's rare that I get that sort of treatment from a female friend that isn't interested in possibly being something more. But it could easily be nothing more than a "hi, we were friends, now I'm in a club with your punky little brother, how're you doing, been a couple of years, etc. etc." conversation. She is a very friendly person (which is kind of the whole appeal). I'm under no illusions that she's "definitely" interested, but I would like to get the chance that I robbed myself of by never saying anything to her... geez, I can't believe I hadn't thought of saying something sooner. Something unique about her is just the fact that she is so likable and honest that I'd trust her with pretty much anything. There are very few people on this planet that I will unreservedly trust... but I just don't see an ounce of deceit or dishonesty in her. A heart of pure gold).

Music Moment of the Day: Driving home from the college/stadium. It's nighttime now, and pouring rain. There's not much traffic, so it's a pretty easy ride. Listening to Atlas's Blå Vardag again. On track 5 (the last one of the album proper, before the bonus material). Left elbow against my car door, left hand propping up my chin. Wondering why the hell I didn't think about asking out this girl 1-2 years ago. In fact, I can think of no less than two (and perhaps as many as four) girls that I should have asked out but didn't. It wasn't that I was afraid to, or that I didn't know them well. On the contrary, it was because they were "friends" and I either was afraid of losing that, or simply didn't think of them "like that". It reminds me of that Survivor song, "The Search is Over":

I was always reachin', you were just a girl I knew / I took for granted the friend I have in you / [...] / the search is over / You were with me all the while"

That's just it. These were "just girls I knew". But, as I approach my departure from this place, I'm seeing some failures in my time here. Like, I can't possibly come up with a single reason why I would not want to date the track girl. Beautiful, intelligent, definitely fun to be around... nope, no reasons not to. Out of all the "friends" I could/should have considered asking out, this girl stands out.

(Of course, the question now arises... with perhaps as few as 6 weeks left in town, why consider pursuing her now? Well, at the least, I want to know where she's going to college next year. I might end up near her. I could be in San Jose, which would be near anything in the Bay Area. I could be in Pomona, which is Los Angeles. And I could be in Fresno, which is just an hour from here. Now, don't take that as meaning that I might base my decision on where she is. But I would like to know, because if I'm going to be near her, I won't waste any time. And, to answer the above question in another way, I guess I just feel like I screwed up and missed an opportunity, and want to correct the situation regardless of logistical issues).

ARGH! I almost hope that I get a chance to talk to her, and ask her out, and get shot down, just so I won't feel like I missed what could have been something good.

Amazing... I continue to find new and creative ways to make myself feel like s--t.

Hmm. Perhaps I should just stick to writing about music here.

I was reading an article that dissed "indie kids" (you know, the social misfits that dig "indie rock" bands and find themselves and their music superior to anything and everything played on the radio), and one of it's many slightly-tongue-in-cheek points was:

"Indie kids like experimentation, but not too much experimentation. They like extremity, but not too much extremity. They like songs, but they like them to be a bit shy and fuzzed-up and nervous and not too songish. Best of all they like bands which sound comfortingly like the other ones they already know are cool."

This could easily be applied to the "prog" community on the whole. I always shake my head at these fans that claim that they love prog because it's "complex", (and "different", and not chained to the strict pop-song format), and then list their favorite bands: Flower Kings, Spock's Beard, Pendragon, Cairo, Arena, Jadis, etc. Prompt these neo-prog fans to listen to some of the more avant-garde prog bands (not even RIO or zeuhl, but just something more "avant" than neo-prog), and they cover their ears and run. Why champion prog for it's "complexity" if you're only going to worship at the feet of those who create it's simplest music?

Actually listened to some classic rock radio yesterday. Among the highlights were Pink Floyd's "Welcome to the Machine", a Jethro Tull song that I did not recognize (might have been an Ian Anderson solo release), and especially Van Halen's "I'll Wait". Here's a song that the Best Of.... Volume 1 compilation missed out on. I wonder, is Volume 2 ever going to be released? EVH claimed it was all lined up when they released the first one - it was just a matter of actually doing it. Given how well the first one sold, it's puzzling why the second one has yet to follow up.

Then again, in 2000, a Van Halen boxed set, Van Halen Box 1978-1984 was released, but it appears to be available only as an import. BMG doesn't have it (argh!), and the only one Amazon lists is as an "[IMPORT]" and is priced accordingly (Amazon's import pricing is terrible). [UPDATE: The boxed set is a Japanese only release.]

Like The Who, I'll have to load up on Van Halen single CDs instead of box sets. Too bad... I like box sets.

Been a while since I've posted. I've been on Spring Break, although I haven't gone anywhere. Rather, I have been catching up on some much-needed rest. By the week before break, I was pretty constantly fatigued. I'm feeling a bit better, and am ready to finish up the semester.

Let's see, new CDs... oh yes:

The Who - Who's Next
David Tohir and his Backbone - Angels Dancing in Virga
Deus Ex Machina - Equilibrismo da Insofferenza
NeBeLNeST - NeBeLNeST
Charles Mingus - Mingus Mingus Mingus Mingus Mingus
Chick Corea and Return to Forever - Light as a Feather
Ornette Coleman - The Shape of Jazz to Come

I have barely listened to these. You see, for the next week or so, I am instating a policy of only listening to MP3s when at home. I download so much, but a lot of it just sits there. So, for the time being, I am going to listen to MP3s when at home, and CDs when in the car and on foot.

Today, when sitting outside at a shopping center, I was drinking a Coke and listening to the radio that was being played for the seating area. The music mix was interesting. There was some pop, naturally, but then a Steely Dan tune played, and I didn't recognize which one. Furthermore, after that song, a Pink Floyd song played. That in itself was pretty interesting, but what caught my attention was the particular song. It wasn't one of the hits from Dark Side of the Moon, The Wall, Wish You Were Here, or even A Momentary Lapse of Reason or The Division Bell. I was able to identify the song as being something on Meddle, of all albums. I couldn't figure out which one (until I got home, and found out that it was "San Tropaz"). Very interesting choice.

My brother handed me a CD today and said that he thought it my by "up my alley". The album, Grandaddy's The Sophtware Slump, is apparently one of the more hyped-up "indie" releases of the year. In essence, it's ambient pop (though not quite "ambient") with a clear Radiohead influence. They also at times reminded me of Stereolab, with digital sequencers in place of Stereolab's twinkly vibraphones. Imagine the Radiohead songs on OK Computer and Kid A where Thom Yorke comes the closest to actually "singing", and add distorted guitar (occasionally math-rock like) and the sequencers, and that's pretty close to this album. My biggest complaint is that the singer will just not shut up. The best moments on the disc are easily the ones when he's not singing. On some tracks, he's pleasant, but mostly I'm annoyed. I do have to say that I'm pleased with this in terms of how it applies to my brother - musically, it's far more substantial than Blink 182, Limp Dickz, or pretty much any of the bands mining the leftover ruins of grunge. It's also not 5 seconds of the same snippet of music repeating (as found in much of what's called "techno"). Pitchfork Media's review of the album was a little more positive than me (mostly they just bitched about it being similar to Radiohead - which is only partially true).

Hmm, this final track of the album sounds like it has mellotron on it. Probably a synth with a "strings" patch, but the mellotron effect is nice regardless.

Actually, it just got better. This last track, "So You'll Aim Toward The Sky", is probably the best one on the disc. I'm hearing a mellotron in the left channel (as well as perhaps some real strings? Maybe another synth effect), and a cello in the right. I doubt that either are "real" (though the cello sounds fairly authentic, although it's a bit low in the mix to tell), but it's an excellent effect regardless. The vocalist isn't overpowering the "mellotron" and "cello" in the mix, thus making him much more bearable. :)

Anyway, onto my new stuff. Species Being's Orgone Therapy is a 52 minute album consisting entirely of improvised instrumental prog-rock. Despite being entirely improvised (no overdubs, either), the music is very tight. Surprisingly, the band never treads into overly-wanky territory (too often the result of extended improv - see Liquid Tension Experiment's "Three Minute Warning"). It's a guitar/bass/keys/drums quartet from San Francisco, and I'm watching their show schedule for SF show dates. An improv band this good has to be amazing live.

Mogwai's Young Team, of course, is outstanding. Not that this is news, as I've had the entire album as MP3s for some time. But I had to have the album itself. While EP+2 is still my favorite Mogwai release, this one's not far behind. I look forward to the new disc, Rock Action.

And Miles, well, Miles owns. The first two discs of this Complete Bitches Brew Sessions box set are phenomenal. They contain most of the original Bitches Brew album, and the rest appears on the last two discs along with a bunch of stuff that was recorded along with the original album. It's wonderful. I haven't felt quite that strongly about the other two Miles Davis discs I just got, but then again, I've only heard each of those once (and I had Complete BB Sessions as MP3s for a while - though only listened a few times). Where once there was not a jazz collection, now there is one. I can only imagine what trying to listen to the 8 CD Coltrane set and the 6 CD Miles Davis set will be like. That'll probably happen over a period of months, which is just fine by me. It's going to be a mass swirl of jazz, progressive rock, and post-rock on my CD changer and car deck.

Oh, and while this isn't related to new CDs of mine (but I'm typing it here anyway, because this blog is written in stream-of-consciousness, whether you like it or not), Kenso's Ken-Son-Gu-Su is nothing short of amazing. The performances are incredibly tight, and the band does so well in tinkering with their compositions live. They'll take them on the edge of getting "out of hand", and then come slamming back. Very similar to their ProgFest 2000 performance (basically the same setlist, and this was recorded only a few months before the ProgFest show - and was first released domestically at that show). I'd kill to see them live again. I was completely unfamiliar with their material at ProgFest and it still knocked me on my ass and continued to kick me while I was down. This CD was easily worth the hefty $25 it cost.

Being a music collector makes the daily trek to the mailbox an adventure. Heck, these days when I go to the mailbox, the first thing on my mind is "any new music arriving today?", leaving "did I get accepted to (insert college here)" as a secondary concern. :)

More new stuff today:
Mogwai - Young Team
Species Being - Orgone Therapy
Miles Davis - The Complete Bitches Brew Sessions

I bought the Mogwai at Borders... I was very surprised and happy to see most of the band's catalog (including the earlier Jet Set Records releases) there. They lacked the new Rock Action album, but oh well. On a similar note, the new Tortoise album (Standards) was not only available at Borders, but was one of their featured albums... up on the top racks and hooked up to one of their headphone sets. Go post-rock!

Music moment of the day: Driving through a very heavy rainstorm, listening to Young Team. Mogwai, or at least early Mogwai, could be thought of as a metaphor for a rainstorm... the calm, serene drones juxtaposed against the fierce and violent climaxes. Oooh, there are the pretty clouds overhead... just passing by, no rain falling yet.... but uh oh, there's a drop... and now here's the dounpour! But eventually the downpour ends and the clouds still remain, and it's back to calm.

Currently listening to the Miles Davis - Disc 1. It's wicked cool. The packaging for the box set is similarly cool. The "box" is actually a sleeve for a mini-book, which houses the CDs as well as a ton of information and pictures. The booklet seems quite sturdy (hardcover, metal binding, etc), so it should last. I'm pretty pleased. Clearly, this set earned the Grammy that it won.

Music moment of the day: Pulling out of my driveway on my way to go workout, Thinking Plague's "Dead Silence" (from In Extremis) playing their oddly dissonant-yet-beautiful sounds that seem to have something in common with the gray clouds over my head (yes, another cloud-related moment). On a side note, I can't imagine an album having an album cover that more accurately depicts what's on the CD than In Extremis's cover: a desert twister over a dull (and not clearly defined) landscape. To download an MP3 of Dead Silence, click here: Thinking Plague - Dead Silence (4:00, 3.84MB)

A few new BMG arrivals today:
Miles Davis - In A Silent Way
Miles Davis - Kind of Blue
Eric Dolphy - Out to Lunch

Only listened to In A Silent Way so far, but it was very nice. I'm also chewing my way through that four-disc Coltrane Complete '61 Village Vanguard Recordings set, and some of my Djangos order (particularly the Cuneiform discs: Birdsongs of the Mesozoic's Petrophonics and Volapük's Polyglöt, as well as the not-on-Cuneiform-but-the-band's-later-albums-are Thinking Plague's In This Life). Good stuff. Also revisiting some of my older Cuneiform discs (Univers Zero's 1313, Thinking Plague's In Extremis, Miriodor's Jongerlies Élastiques (Elastic Juggling), Djam Karet's The Devouring, and Boud Deun's The Stolen Bicycle). Cuneiform tends to focus on "avant-rock"... the more cutting-edge progressive rock bands. A lot of Cuneiform's bands are RIO (rock-in-opposition) bands, which often features dissonance, unusual instumentation, complex/unconventional song structures, and everything but the kitchen sink (and the best of it manages to stay beautiful and even melodic). Not all of their stuff is RIO, though... Djam Karet is more like instrumental Pink Floyd but with better players, and Boud Deun is strictly fusion. One thing that Cuneiform is almost universally, however, is "good". I can't think of another prog label that is as consistantly good as Cuneiform. Musea has a lot of good stuff, but lots of crap too. Inside Out and Magna Carta have more crap than good stuff. Mellow Records is probably in the same boat as Musea. Cyclops... I think Cyclops is 100% dreck. Maybe there's some good unknown bands on there, but the flagship bands are bleh. Hmm.... Vinyl Magic re-issued a lot of good Italian stuff, but re-issued some things best left untouched. Laser's Edge is underrated, but not quite Cuneiform. Hmm.... that's about it, everything else I can think of is either independant releases, big-label releases, or labels that only carry a handful of bands (and a good number of prog bands fall into one of those three). Regardless, Cuneiform deserves praise. I'm confident that I could buy random Cuneiform discs and not get something that was utter crap. Undoubtably I would like some more than others, and some I might not like at all, but nothing would be wretched. Way to go, Steve Feigenbaum (Cuneiform label head).

Music moment of the day: Driving home from my night class (well, more like late afternoon/dusk class since the time change), I was listening to Birdsongs of the Mesozoic's Petrophonics. As I drove on the rather light-traffic freeway, I noticed the clouds in the distance were a purple hue, and the few slivers of clear sky not obscured by the clouds were a light orange-ish color. Remarkably beautiful. In my rear-view mirror, I saw the clouds coming down over the mountains in the east - these clouds were much more darkly colored. As I turned off the now-somewhat-rural highway and headed back into town, I noticed the sky to the north was something of a balance between the two - moderately dark, blue clouds. The key to this whole light vibe was the Birdsongs music. Had I been listening to Yeti or Magma, I would not have been in the frame of mind to notice the colorful skies. What I would give to have some of those images captured and turned into a couple of small posters...

Yay! Lots of stuff arrived today!

New arrivals:
John Coltrane - The Complete 1961 Village Vanguard Recordings (4 CD)
Soft Machine - Volume 2
Birdsongs of the Mesozoic - Petrophonics
Faust - Faust IV
Faust - Faust / So Far (2-on-1)
Thinking Plague - In This Life
Volapük - Polyglöt

The Coltrane is, of course, the first of my BMG CDs. I'm listening to Disc 1, and so far it rocks (jazzes?). I think I'm really going to dig this. Haven't listened to the other new acquisitions yet. I'll have lots of music listening notes in the next few days. :)

OK, I've figured out my BMG plan of attack (items that have already been ordered are in italics).

Account #1:
First 7 free:

John Coltrane - The Complete 1961 Village Vanguard Recordings (4 CD)

Miles Davis - Kind of Blue

Miles Davis - In A Silent Way

Eric Dolphy - Out To Lunch

Pay for one:

Cream - Those Were The Days (4 CD)

Last 4 free:

Led Zeppelin - Led Zeppelin Remasters (4 CD)


Account #2:
First 7 free:

Miles Davis - The Complete Bitches Brew Sessions (4 CD)

Chick Corea - Light as a Feather

Charles Mingus - Mingus Mingus Mingus Mingus Mingus

Ornette Coleman - The Shape of Jazz to Come

Pay for one:

Deep Purple - Made in Japan (2 CD deluxe edition)

Last 4 free:

Led Zeppelin - Boxed Set II (2 CD)

Deep Purple - Machine Head (2 CD deluxe edition)


Account #3:
First one free:

Miles Davis - The Complete Birth Of The Cool

Pay for one:

The Who - Who's Next

Last 9 free:

John Coltrane - The Classic Quartet: Complete Impulse! Studio Recordings (8 CD)

The Who - The Who Sell Out


Account #4:
First 7 free:

Alice Cooper - The Life and Crimes of Alice Cooper (4 CD)

Jeff Beck - Beckology (3 CD)

Pay for one:

The Who - The Who By Numbers

Last 4 free:

Eric Clapton - Crossroads (4 CD)


Account #5:
First 7 free:

Miles Davis Quintet - The Complete Columbia Studio Recordings (6 CD)

The Who - Live at Leeds

Pay for one:

Jethro Tull - A Passion Play

Final 4 free:

The Police - Message in a Box (4 CD)


You'll note that in one of my purchases, I'm actually buying the Cream box set instead of a single CD. Why? Well, the set is only $22.49 - a few bucks more than a $16.98 single CD selection. Rather than have the Cream set take up four "free" selections, why not pay $5 more and retain those free selections for something else? Likewise, I saved an additional "free" selection by making one of the Deep Purple 2CDs a "purchase". I could save an additional selection by making the other DP 2CD a "buy", but I'm very much stretching my budget as it is. But the end result will be a music collection that's 63 CDs larger. Hopefully, no unexpected price changes or changes in availability occur over the course of this. I'm going to swiftly order everything, make those purchase selections, and order the final freebies, in hopes that I can pull it off as outlined here.

Upon further research, it turns out that the 4 CD Led Zeppelin Remasters set and the 2 CD Boxed Set II include all of the studio material that appeared on Zeppelin's albums. This would provide a wonderful alternative to getting each album individually and in less-than-excellent remastered forms. Sadly, these do not have the songs in the original albums' track orders. However, Jimmy Page claims that he put a lot of thought into the track orders and made the songs flow smoothly like an album. It turns out that BMG carries the Boxed Set II as well as the 4 CD Remasters set. Sooooooo.... I think I'll get these.

Ooh, BMG also has the Cream Those Were The Days 4CD box set! That set is like the ideal box set. It features each of the albums in their original order, with non-album singles ("Wrapping Paper") and some alternate and unreleased tracks splitting the albums up. This strikes me as an interesting way of doing a box set. I'm not sure if it's preferable to just putting all the bonus material at the end, but as long as the original albums are presented in their original (complete) form, I don't have a problem with it.
The first two CDs present all the studio material from the band's albums (and also the bonus material). The second two CDs are live tracks segued together to, as AllMusic put it, "attempt to recreate the "ideal" Cream concert". Sounds interesting to me! I almost picked up this box set from Wal-Mart once, but lacked the cash. I'd say this is now one of my top BMG box set priorities.

Hmm... what else might BMG have to offer? They have the Santana 3CD box set, but I already have that baby. BMG has the 2CD deluxe editions of Deep Purple's Made In Japan and Machine Head..... hmmmmmm..... those would be cool. Oh, and they also have the excellent Jeff Beck Beckology 3CD box set. There are a couple of Doors box sets, but The Complete Studio Recordings is 7 CDs (too much - I won't dedicate that much of my BMG resources to the Doors) and Box Set is 4 CDs but mostly made up of "rarities" and live tracks - in other words, for completists only. The Grateful Dead What a Long Strange Trip It's Been 2 CD set looks cool, as does Europe '72. No Beatles or Hendrix sets, which is a total bummer. I thought for sure that The Jimi Hendrix Experience or The Experience Collection 4 CD sets would be available, but noooooo. The Moody Blues Time Traveller 5CD set is available, but not good enough for devoting 5 freebie selections to. I would like a good Moodies 3 CD set but there does not appear to be one.

Hmm... do I really want the Journey Time 3 3 CD set? Hmmmmm.... maybe, despite the fact that the 3 CDs are not in fact 180 minutes of alternate takes of "Open Arms".

I think I want the Cream, Beck, and two Deep Purple sets (and maybe one of the Dead), in addition to the ones I listed in my other entries for today. I'll get them all between the rest of my BMG memberships at this address, and the ones I'll get when I move. These box sets - not to mention the LPs I'm buying - will give my classic rock collection a much-needed shot in the arm.

Hmm... looking more closely at the Who box, I think I might do better getting other Who items instead. Who's Next, The Who Sell Out, The Who By Numbers, A Quick One, Live at Leeds, Live at the Isle of Wight, and even the BBC Sessions, among ones I already have (Tommy, Quadrophenia, and a compilation) and ones I am not super interested in (Who Are You, etc).

Getting The Who Sell Out, Live at Leeds, Who's Next, and The Who By Numbers would probably be a better 4 CD snag than the box set. Maybe A Quick One (Happy Jack) instead of Numbers, or perhaps in addition to. I could do a lot worse than filling out any extra single-CD needs with Who material.

Led Zeppelin is a different story. As it turns out, there have not been Zeppelin albums that have been given the quality of remastering that the "Remaster" 2 CD and 4 CD box sets have. I quote someone from r.m.p.:

"There's another advantage to the two boxed sets (4 and 2 CDs
resepectively): they have the best sound of any of the Zeppelin CDs.
The subsequent 10-CD "complete studio recordings" box have been
further compressed and dicked about with, and have a ragged edge to
them. I've not heard the individual remastered CDs, but my
understanding is that they are the same as the 10-CD set. The problem
this leaves is that the 4 and 2 CD sets don't have the correct running
order, and there are very subtle cross-fades between some of the
tracks that make it impossible to properly reconstruct the original
albums onto CDR. In other words, you can't get the original album
layouts in the best available sound. Scandalous."

Getting the 10 CD box set is out of the question - I can't get that by using free CD selections from BMG (you have to have enough free CDs to get the whole item, and the BMG deals never give you 10 free CDs at one time). I could get some of the individual albums... but the sound quality issue concerns me. I pulled out my copy of IV, and "Black Dog" most certainly sounded muddier than it does on my friend's 2 CD Remasters set. It doesn't sound terrible, but I have to wonder: will the entire Zeppelin catalog end up getting the top-notch remaster treatment that the 2 CD and 4 CD box sets got? If so, getting all of these (comparatively) inferior remastered albums would not be a prudent move. I'm thinking perhaps the 4 CD remasters set would be a nice "for now" alternative until the entire album catalogue gets a serious remaster job. I'm listening to IV right now, and it's definitely not as clear as it ought to be. I have some small-label foreign 1971 releases that are clearer than this. Some company is doing new remasters in LP format, and charging a boatload for them. No thanks. I just want a quality CD remaster.

I started thinking about what else BMG music club might have to offer me. After all, I have three accounts open right now. I'll need to choose 5 more CDs for each of the first two, and 2 more CDs for the last one (actually 10 more CDs, but I've decided on 8 of them in the form of Coltrane's Classic Quartet - Complete Impulse! set). Plus I could open up two more accounts from this address. So, I figured I should check out what box sets BMG has. I was pleasantly surprised to find a bunch of ones that I would want. Check these out:

Rock:
The Police - Message in a Box (4 CDs)
Eric Clapton - Crossroads (4 CDs)
Alice Cooper - Life and Crimes of Alice Cooper (4 CDs)
Led Zeppelin - Led Zeppelin remastered (4 CDs)
Lynyrd Skynyrd - Lynyrd Skynyrd (3 CDs)
The Who - 30 Years of Maximum R&B (4 CDs)

Jazz:
Miles Davis Quintet - Complete Columbia Studio Recordings (6 CDs)

Classical:
Complete Works of Bach Vol. 1 (5 CDs)
Beethoven, The Five Piano Concertos (3 CDs)
The Complete Chamber Music Of Claude Debussy (3 CDs)
Brahms, Piano Trios Nos. 1-3; Piano Quartets Nos. 1-3 (3 CD)
Dvorák, Stabat Mater (2 CDs)
Godowsky, The Complete Studies On Chopin's Études (2 CDs)

I need to check on the quality of the performances of the classical sets, but the rock ones and the Miles Davis one are definite "wants". For my first two accounts, I now need to buy one CD and then take four more free. So I'll find a couple of single CDs to get, and then pick two of the 4 CD sets (I'll probably start with the Alice Cooper and The Who sets). Then, I could start a 4th account with the Skynyrd and Police sets as my first 7 free, then buy one CD, and then get either the Clapton or Zeppelin box sets as the final 4 freebies.

The classical sets are interesting. Some of them actually sell for less than $20. So, instead of buying a single CD to meet the requirements for my other accounts, I could buy one of these sets instead for only a few dollars more. Why take up 3 freebies for the Debussey set when it only costs $16.99 (the same amount of money I would spend for a single CD to meet my membership requirements)?

BMG kicks ass.

While they have a 5 membership per household per address limitation, I could soon do 5 more accounts. Why? Well, I will be moving during the summer as I transfer to a university. New address = new memberships. Woohoo!

Yeah, they scalp on shipping. But look at it this way. Each CD costs about $2.50 to ship. Plus you have to pay full price for one CD (which ranges from $13-17, let's just say $17 for a conservative estimate). So:

$2.50 x 12 CDs = $30
$17 x 1 = $17
$30 + $17 = $47 approximate grand total for 12 CD shipped and the one required non-freebie paid for.

If I could walk into a store and pay $47 and walk out with the Who, Cooper, Skynyrd, and Debussey box sets, would I? You bet your arse! This is exactly the same thing, except that you have to wait a week or three (or five) to get them. So what? I'm not impatient (of course, I'm constantly getting new music, as you can see here in my near-daily entries). What a deal. Most of these box sets eclipse $30 each.

Well, the ProgAndOther soap opera kinda fizzled out... I've been placed on the moderated list (meaning, all my posts go through an approval process before showing up). I'm fairly disappointed... I thought I might earn a full ban. Alas, Bice had some pretty weak arguments that he sent via email, and he simply quit replying to me after I continued to shoot down his ever-changing logic. It's sad, too, as I was having fun.

I headed to the old vinyl store near me. Here's what I snagged:

Tortoise - Millions Now Living Will Never Die (CD)
Alice Cooper - School's Out
Foreigner - Agent Provocateur
Fleetwood Mac - Fleetwood Mac
Peter Frampton - Frampton Comes Alive!
Jethro Tull - A Passion Play

The Alice Cooper and Jethro Tull need no explanation. I was going to get Foreigner's 4, but it was $3 and Agent Provocateur was just $1. Maybe if I dig it, I'll get 4 next time. My mother owns the Frampton album, but she really likes it (and so there's no way I'll be able to keep it). And finally, the Fleetwood Mac got a 5 star rating from (the ever wise, all-knowing) AllMusic, and since Rumours was nowhere to be found, it seemed like an interesting thing to check out for a buck. The fact that it's fairly lacking in hit singles but still highly regarded is interesting.

Djangos is having a sale - 25% off all new CDs - so I ordered some of the stuff I was going to order from Wayside and a few more.

My Djangos order:
Birdsongs of the Mesozoic - Petrophonics
Present - Triskaidekaphobie / La Poison Qui Rend Fou (2-on-1 CD)
Faust - Faust / So Far (2-on-1 CD)
Faust - IV
Volapük - Polyglöt
Thinking Plague - In This Life

I was looking for the Faust Wumme Years box set, hoping to find it less than $60. But alas, Djangos didn't have it. So I decided to just get the Faust/So Far 2-on-1, and perhaps get the box set at a later date.

I'm involved in a little spat on the ProgAndOther mailing list. Here's the idea behind the argument: NEARFest (a progrock festival) instituted a "Patron" program in which the best seating at the venue was reserved for a higher price. Bob Eichler ("Bice") has taken issue with this. He would rather see all ticket prices increased instead of this Patron program (which exists because NEARFest needs the extra money afforded by it). I have taken issue with Bice's idea, as it seems like sour grapes - he won't get a front-row seat because he wasn't willing to pay for them, so now he seems to be scorning those that could.

But don't take this little description's word for it. Read it yourself!

Post #1: Bice replying to Jerry Keller, stating his unhappiness with the Patron program and it's "golden circle" seating.
Post #2: Noah Lesgold replying to Bice, making some very keen statements about the Patron program and the ridiculous nature of Bice's complaints
Post #3: Jim B. replying to Noah Lesgold, somewhat echoing Bice
Post #4: Noah replying to Jim B., still shooting down complaints
Post #5: *Legion* in reply to Noah, agreeing about the silliness of complaining about the patron program
Post #6: Bice replying to *Legion*, portraying his concern as being for everyone, the "general principle"
Post #7: *Legion* replying to Bice, stating how Bice's idea seems to ignore those on the low end of the money scale, thus contradicting the "spreading the wealth" stance that he has spoken of in previous messages
Post #8: Bice back to *Legion*, rationalizing his idea and giving a thinly veiled "I'll ban you" threat
Post #9: *Legion* back to Bice, obviously unimpressed with the "threat" and takes further issue with Bice's "no tiered seating at all costs" stance.

Side-posts of interest:
Side Post #1: Brandon Wu replying to Post #8
Side Post #2: Jerry Keller replying to Post #9

Tune in tomorrow! More to come!

I spent this weekend in Pismo Beach, which is located in California's beautiful (well, nice) central coast.

I was feeling pretty crappy Friday morning, so I skipped my first class, and only went to my second. Later that afternoon, I helped my folks load up their car, and we departed. While we have made use of on-the-beach hotels in previous Pismo trips, we stayed at a family friend's condo in Grover Beach this time. The nightly rate for the condo was less than half that of Pismo's beachside hotels. I expected the place to be fairly small, but it turned out to be a two story, 3 bedroom condo. I was thoroughly impressed.

This trip is probably the last one I'll take with my parents. Though in reality, I spent most of this trip on my own anyway. I didn't take my own car (a 2001 Hyundai Elantra), but that was only because my parents took their two cars (a 1996 Nissan pickup and a 2001 Hyundai Santa Fe) and gave me the keys to the Santa Fe for use while at Pismo. So there was no need to take a third car.

We arrived Friday night, unpacked, and went to the beach. They went and walked on the beach and the pier, while I walked around downtown (which is just off the beach). The only places that were still open were the bars and the arcade. I spent a few bucks in the arcade, and then headed for the beach myself. After a couple of hours of beach and arcade time, it was getting late, and I joined my parents and brother in returning back to the condo.

The bedrooms were great in this place. The one I stayed in was about the same size as my bedroom at home. The full-size bed was also nice. I don't have a full-size bed. Rather, I have a twin-sized bed with a water mattress. My parents have offered me a full-size bed, but I won't give up my mini-waterbed for anything except a proper waterbed. But anyway, when I do have to sleep abroad, I enjoy having a bed in which my feet actually have mattress underneath them. Anyway, I got in bed, threw Low's Songs for a Dead Pilot EP into my Discman, tossed on my headphones, and relaxed to the wonderful sounds of this Minnesota softcore band.

The next morning (well, closer to noon), I drove back out to the beach. I took my Discman with me, as well as a few CDs. I don't often listen to my Discman when walking around in public, but doing so this weekend has made me re-evaluate my lack of Discman usage. It was quite interesting to walk in a crowd of people listening to various different musics. Initially, I was listening to Labradford's Mi Media Naranja, which was nice and serene. After Labradford was over, I switched to Eskaton's 4 Visions. Now that offered a very different experience. I don't quite know how to describe it, but walking down the sidewalk while listening to this French zeuhl band was a unique experience. Walking on the pier with 4 Visions playing was even more of a trip. I think I'm going to start carrying my Discman around more often.

I've decided that there are a couple of things mobile Discman users need:

1. A Discman waist pack - While you want to avoid the "fanny pack" look at all costs, you can still get one of these that doesn't look quite so lame. A simple, slim, black waist pack is ideal.

2. A pair of headphones with volume slider - These things are divine. The ones I use not only have a single cable wire coming from the left earpiece (as opposed to one coming from each, forming an annoying little "V" around your neck), but it also has a volume slider further down on the cable. This way, when I want to adjust the volume of my music, I can just use this slider rather than fumble around with my waist pack. Hey, if you have to have a damn cable dangling in front of your chest, you might as well attach a practical use to it, right?

So anyway, later Saturday night, I returned to town. I spent a little more time in the arcade. I have gotten better at Ms. Pac Man than I ever expected I would. I just threw one quarter into the machine and played, and I got relatively close to the high score (of the day, at least). So I tossed another quarter in, and played some more. I beat that high score in the last second of Ms. Pac Man's life (I gobbled a 5000 point piece of fruit approximately 0.8 seconds before a ghost robbed Ms. Pac Man of the last of her already-too-brief lives). Still, victory! I raised the bar! After that, I headed down to the beach, with Ozric Tentacles's Erpland in the Discman.

Sunday was Zeuhl day. I listened to Xaal's On The Way (En Chemin) in the car on the way to the beach. This CD only cost me $6 from Wayside's limited stock and has proven to be easily worth it. It's not the most well-mixed CD (the volume level seems to be universally too low, which did pose a problem when listening to it on my Discman - I had the volume maxed and it was still a bit too quiet), but it's a great album. I fully intend to get more Xaal, as this album has simply impressed the pants off of me. It's like the more jazz/fusiony moments of Magma, except less repetitive (note: Magma's use of repetition is for great dramatic effect, but it is nice that Xaal goes in a different direction rather than imitate Magma).

After lunch, I headed toward the pier. I yanked Xaal out of my Discman and threw in Koenjihyakkei's Hundred Sights of Koenji. Wow! The driving bass and powerful vocals made me want to kick somebody's ass. If I had sung the vocals out loud as I walked, I would have scared the shit out of everyone on that damn pier. Just imagine this 6'1", 230 lb white boy, with the sides of his head shaved down fairly close to the skin, spikey hair on top (which is not altogether unintentional, but is actually just how my hair naturally acts when it's freshly cut short), chanting and shouting these deep unrecognizable vocals with an almost Nazi-esque fervor. They would think I'm speaking in tongues (which, well, would be correct, as Koenjihyakkei's vocals appear to be in Kobaian, like Magma's). To fully understand what I'm talking about, click this link to download Koenjihyakkei - Ioss.mp3 (3:58, 3.82MB). You simply *have* to hear the pounding chorus of "Ioss! Ioss! Ioss! Ioss!".

As I started to leave the pier, who should appear but my best friend. Turns out he was staying in the area with some of our other friends. He was most likely checking out UC Santa Barbara, which I suspect he'll choose as his school. I talked with them for a little while, and then went to the arcade for some more Ms. Pac Man action (as well as some dual-gun, two-fisted-fury House of the Dead blasting). After that, I went to a thrift shop, looking for some used vinyls. There were some, but they were all crap (both in terms of the condition of the records, and the music stored on them). Ah well, it was time to head back home.

During the car ride home, I put Tortoise's TNT into the CD player. Ooh, it was wonderful. Especially the twangy "I Set My Face To The Hillside", which came on as we past the Corcoran prison and drove through what amounted to little more than desert, a canal, and a single row of power lines.

When I got home, my copy of Mogwai's Ten Rapid was waiting in the mailbox. Outstanding. I threw all my gear into my room and plopped down in bed, as I was dead tired. I missed my first class this morning because I was unable to get myself up and around early enough.

On a different note, I have started thinking about a female friend of mine in something of a different light than before. While this friend has always been just a "good ol'" friend in the past, the idea of pursuing a closer relationship has been bouncing around in my head. It's strange... I've never quite thought about her "like that" before. However, I have had a gut feeling that she wouldn't be totally repulsed by the idea of dating - I even have felt at times that she'd say "yes" if I just asked her (whether this is enlightened intuition or a happy self-delusion is anyone's guess). Anyway, I'm not completely sure about how I feel about the idea of dating her. I don't know if I could just walk up to her and ask her to dinner with these confused feelings. I do know that I need to talk to her and re-acquaint myself with her a bit (we don't have any classes together, so I only see her in passing). Perhaps talking to her will help clear up some of my confusion...

Back to music. Here's a list of the things I listened to this weekend:
Bozzio Levin Stevens - Black Light Syndrome
Supersister - Present From Nancy
After Crying - Megalázottak és Megszomorítottak
Labradford - Mi Media Naranja
Eskaton - 4 Visions
Low - Songs for a Dead Pilot EP
Isotope 217° - The Unstable Molecule
Xaal - On The Way (En Chemin)
Koenjihyakkei - Hundred Sights of Koenji
Magma - Mekanik Destructiw Kommandah
Ozric Tentacles - Erpland
Mogwai - EP+2
DFA - Duty Free Area
Happy The Man - Happy The Man
Tortoise - TNT

Well, I haven't proof-read this big post, and since it was written in sections rather than straight through from beginning to end, it's possible that something might not make sense. If that turns out to be the case, click the "E-mail *Legion*" link in the left menu and berate me for my errors.

Salon.com did a 3 page write-up of Kate Bush a couple of days ago. Sadly (though not surprisingly), The Dreaming isn't even mentioned. Interesting that they highlight her as a cutting-edge songwriter and yet fail to feature the album that is supposedly her at her most experimental. The article does give me a decent idea of which of Kate's albums to investigate next, pretty much corroborating GEPR's entry for Kate Bush that Never For Ever and Hounds of Love (the two albums that immediately preceded and followed The Dreaming, respectively).

"With my silver Buddha,
and my silver bullet"
-- "Pull Out The Pin"

Ordered a couple of CDs today:
Species Being - Orgone Therapy
Soft Machine - Volume 2

Species Being is a new improvisational avant-rock band from San Francisco. Orgone Therapy is apparently entirely improvised, with no studio overdubs or anything of the sort. Yet, what I've heard (a track I downloaded from the band's homepage at Chaosophy Records and one I heard on Jason Ellerbee's Dreams Wide Awake radio show) has been excellent, and many that have the album rave about it (including Mr. Ellerbee).

Soft Machine was "... the springboard for the Canterbury sound" (according to Jerry Lucky's flawed-but-occasionally-useful book "20th Century Rock and Roll: Progressive Rock"). I don't own any Soft Machine CDs yet, and have only heard one MP3 of them. Some consider them extremely great, so I decided to buy Volume 2 when I saw it being sold used.

I just realized that Kate Bush's The Dreaming could not possibly exist under a different name and still be "right". Listening to this album at 11:00pm, it struck me how all of the songs fit together in an jumbled dream-like manner, where one thought/event/emotion somehow leads to something else that is totally irrelevant, yet in a trance-like dream state, it seems logical to you...

Some lad with lots of time on his hands has written a fairly detailed analysis of The Dreaming, with data on lyric meanings, time signiatures, instruments used, etc. Despite the writer's somewhat fanboy approach to the album, the writing is quite good.

Grabbed a couple of CDs today:
Kate Bush - The Dreaming
Stereolab - Transient Random-Noise Bursts With Announcements
Uz Jsme Doma - Ears

Kate Bush is... interesting. Take a female singer-songwriter that's well-known but not tainted by immense popularity. Hmm, let's say someone like Lisa Loeb. Now, make her British. Done? OK. Now fuck her up. Real bad. Give her a twisted dysfunctional childhood, maybe a temporary drug habit or two... just twist her around real good. Now you've got Kate Bush, at least on this album. This is pop music gone terribly wrong. She twists the standard pop song format around, introduces textures and weird sounds, odd percussions, and unconventional vocals aplenty (in addition to her own vocal gymnastics, she adds distorted vocals and other processed vocal effects). Her distorted scream of "I love life!" in "Pull Out The Pin" is chilling.

The album cover seems normal enough - Bush in an passionate embrace with a man. But a closer look reveals the lock and chain, the ring on Kate's tongue... but I can imagine fans of her earlier (less experimental) work picking it up and expecting a nice, beautiful album. Then, when they get home....

"Aah! What is that?!?!?"
"Mommy, Kate Bush is scaring me!"
"Turn it off!"
"I CAN'T!"

OK, while this album is miles away from being the most "out there" thing in my collection, what makes it so striking is that it disguises itself as a normal pop album. Naturally, this album was a "commercial failure". Heh heh.

My first BMG order has been confirmed and sent out for processing, so I made my second one today. Sadly, the McCoy Tyner album I listed as intending for my second order appears to have disappeared from BMG's stock. So I replaced it. Here's the list now:

Miles Davis - The Complete Bitches Brew Sessions (4 CDs)
Chick Corea - Light as a Feather
Ornette Coleman - The Shape Of Jazz To Come
Charles Mingus - Mingus Mingus Mingus Mingus Mingus

Hopefully BMG will confirm this order too. I'm pretty sure multiple memberships are allowed in one household, but just not by one person. Mmmmm.... soooo.... these CDs are indeed my mother's, but she will dislike them before opening them and will give them to me.

[UPDATE: From the CD Clubs FAQ: "BMG allows up to five memberships under different names per address." Woohoo!]

I've been listening to Rush's Grace Under Pressure and Signals quite a bit lately. Grace Under Pressure in particular kicks ass. Listening to (good) Rush is like re-discovering an old friend. Granted, it's only been a couple of years since I first got "into" Rush. But considering the amount of music I have acquired and listened to since then, it seems like ages. Grace is definitely re-positioning itself as one of my favorite Rush albums.

The longest currently-running thread at rec.music.progressive is regarding Led Zeppelin. It's not an argument about whether Zep is prog or not (that discussion tends to end in "not really, but occasionally"), but simply a discussion about Zeppelin's best work - though the discussion has gone off on a few tangents. Anyway, I dug through the thread and made a running tally of what everyone seemed to indicate was their choice for Zep's best album (not every "vote" was clearly expressed, so I had to take some reading-between-the-lines liberties here).

Anyway, here's the tally:
Physical Graffiti: 3 votes
Houses of the Holy: 3 votes
Untitled ("IV"): 2 votes
Led Zeppelin ("I"): 2 votes
Led Zeppelin III: 2 votes
Led Zeppelin II: 1 vote
Presence: 1 vote

Some of the people that "voted" for Physical Graffiti or Houses of the Holy expressed their displeasure with IV's overexposure on FM radio over the years. This is no doubt a valid complaint, as "Stairway to Heaven", among others, have been played to death. Most of the people that felt this way were older gentlemen (i.e. they were around in 1971). Having not been born until 1981, I have avoided much of that overexposure. Sure, I've heard "Stairway to Heaven", "Black Dog", and "Rock and Roll" a lot of FM classic rock stations, but not disproportionately more than your typical Bad Company hit song.

The piano and violin melodies from the song "V" on Labradford's Mi Media Naranja are echoing through my room. Sweet mournful melancholy bliss.

"The world weighs on my shoulders, but what am I to do?" -- "Distant Early Warning" by Rush

That little quote pretty much sums up my thoughts right about now. I'll feel a lot better if I get accepted by CalPoly Pomona. I should be hearing from them shortly. I will most likely get accepted by Fresno State, but since plans to share an apartment with my best friend have all but fallen through, I really don't plan on going there. San Jose State is my final possibility, but I'd probably choose Fresno over San Jose just because it would be impossible to get an apartment in San Jose.

I'm going to go nuts buying music this week. I have a Kranky order planned, a Constellation order planned, a Cuneiform order planned, one more BMG club order planned, and I'm going to hit the used vinyl store for another stack of black frisbees. I'm also upgrading my computer (video card, silent power supply). I need to entertain myself for the remainder of my stay in this sorry town.

Heheh, here's a quote from a CD retailer, Eventyr Records, in reply to my email asking if they had Kultivator in stock (an inquiry that I sent before Wayside revealed their incoming stash):

"No, it's sold out at the moment."

Here's what Steve from Cuneiform/Wayside posted at rec.music.progressive about Kultivator (cutely referring to himself in the 3rd person):

"Steve is getting what would seem to be the last 12 copies in existence in stock in about 2 weeks.

Steve isn't blowing smoke when he says "seem to be the last 12 copies in existence". I wonder if I should email Eventyr in a few weeks and ask if they ever got copies in. The "...at the moment" phrase implies that they will be getting copies, but I think it's just a ruse to get me to sign up for their mailing list (a proposition that immediately followed the "sold out" line in the email I received).

Not that it really matters. I've already reserved my copy with Steve. $20 + shipping isn't steep when considering the rarity of the CD. Hell, I spent $25 to get a copy of Kenso's Ken-Son-Gu-Su, and that's proven to be less elusive than Kultivator (in fact, Steve has managed to get some copies of Ken-Son-Gu-Su in stock and is selling them for $21).

Now if someone could just dig up a stash of copies of Area's Crac!...

Apparently being a little depressed over a girl wasn't enough. Deciding that I needed to be kicked while already down, CalPoly San Luis Obispo just sent me a wonderful little rejection letter. *sigh*... as I said to someone today, "what's it like for someone to say 'yes' to you? I've forgotten."

On a better note, Steve from Wayside posted a message at rec.music.progressive stating that he would be receiving 12 copies of Kultivator's Barndomens Stigar soon. I quickly emailed him and reserved a copy. The CD that I thought might take forever to get (see Tuesday, March 8th's log entry) has now fallen into my lap.

A small victory, though. This week could have gone a lot better.

I am still bummed out of my mind over yesterday. *sigh*

I no longer feel an overpowering urge to attack her boyfriend, whomever he is, but I sure as hell hope he realizes (and deserves) what he has.

As far as "depression" music goes, I cannot conceive anything better than Godspeed You Black Emperor!. With a name fit for the blackest of death metal bands, GYBE! is actually a moody chamber-rock ensemble from Montreal. Their Slow Riot for New Zero Kanada EP is fascinating. The opening track "Moya" is 10 minutes and 51 seconds of absolutely perfect music to sulk to.

A few CDs arrived in the mail today:
Cul de Sac - Ecim
Xaal - On The Way
Ange - Au-Dela Du Delire

Can someone explain to me what exactly the super high appeal of Squarepusher is? I mean, I recognize that Squarepusher is electronica with a jazz influence, but at the same time, Hard Normal Daddy still seems to sink into boring "techno" realms too often. Maybe some more listening time is in order, but so far my experience has been only fleeting moments of enjoyment.

A cute girl broke this poor ol' heart today by already having a boyfriend.

Thus, in order to remove my mind from it's current funk (i.e. wanting to slay her boyfriend), I decided to finally make my BMG jazz order.

Soon* on it's way from BMG:
John Coltrane - The Complete 1961 Village Vanguard Recordings (4 CDs)
Miles Davis - Kind of Blue
Miles Davis - In a Silent Way
Eric Dolphy - Out to Lunch

I'm also preparing another BMG account, under a family member's name. As soon as the first account gets "activated", I'll submit for the second. Most likely to be included in the second order are:

Miles Davis - The Complete Bitches Brew Sessions (4 CDs)
McCoy Tyner - The Real McCoy
Ornette Coleman - The Shape Of Jazz To Come
Charles Mingus - Mingus Mingus Mingus Mingus Mingus

On an unrelated side note, I just listened to Bozzio Levin Stevens - Black Light Syndrome, and for probably the first time, it didn't seem to be 20 minutes too long. A review of the album I'm working on currently contains the line, "The album does outstay it's welcome a bit... there's just not quite enough ideas here to sustain 67 minutes of intent listening - at least from me." I wasn't listening very intently to it this time, but I sure did enjoy it in my somewhat passive listening state. I may have to edit that line of the review, but then again, I possibly still might find the album overlong if I listen closely. I'll probably listen to the album again tomorrow, because I'm quite curious about this new reaction to the disc.

A couple of CDs also arrived in the mail today:
Gentle Giant - Acquiring The Taste
Ui - The Iron Apple EP
Both were mentioned a couple of days ago, so no need to rehash the story behind these. :)


* - "soon" is a poor term to use when referring to BMG. The CDs "should arrive in 3-4 weeks" according to the BMG website. That's long enough, but the truth is, I expect it to be closer to 6 weeks. These guys just aren't very swift at all. Which is ironic considering how much they charge for shipping (of course, their shipping charges is where they make up a lot of the money from these "free" CDs).

I'm messing around with the "look" of this blog. I'm far from satisfied at this point, but I don't have a lot of time to experiment around with different looks. So the visual evolution of the blog will be an ongoing process.

In the CD player:
Runaway Totem - Andromeda
Tortoise - Standards
Birdsongs of the Mesozoic - Sonic Geology
Azigza - Azigza
Isotope 217° - The Unstable Molecule

Runaway Totem is pretty enjoyable. Word is that Universal Totem Orchestra's album is similar but even better, thus elevating it to a high point on my wantlist.

I have been scoping out concert schedules, and I think that in the next few months, I can see Low, Present, Tortoise, and Sigur Rós. I hope to catch at least two of those.

Currently listening to Thelonious Monk & John Coltrane - Monk/Trane. It's becoming obvious to me that I'm going to need to spend quite a bit more time listening to jazz before I can sufficiently form opinions on any. With "rock" music, even in it's most extreme forms (punk/metal on one end of the spectrum, prog/"avant rock" on the other), I have a solid enough base to form some decent opinions. But with jazz, it's clear that I'm wholly unprepared to make any decisions regarding quality. I don't know if this Monk/Trane is kicking ass or if it's totally pedestrian. My ears are so caught up in trying to discern the most basic of elements that I'm not able to recognize, understand, or appreciate the subtleties that make Monk and Coltrane "great".

Not that understanding the "greatness" of some progressive rock bands came easily. But jazz is just unexplored territory for me. Even "classical" is not so hard for me, partly due to the fact that I took two semesters of a music history course, and was exposed to a great deal of "classical" music. This class dealt with jazz as well, but only at the end of the second semester and not for a very long period of time (it wasn't a knock against jazz by the instructor, but merely a result of the fact that he had to cover over a thousand years of music in only two semesters).

I definitely have an interest in jazz, though. Free jazz will probably prove to be the easiest for me to get into, oddly enough. I'm already into "fusion", so to speak, thanks to the progressive rock community taking fusion under it's wing (as opposed to the jazz community that shunned it in the '70s - I don't know about now, as I'm not up to speed on the jazz community).

When I consider how much music I want to listen to, I take comfort in the fact that I'm only 20. Just scanning Gnosis (http://www.gnosis2000.net) is mind-boggling. Tons of obscure albums, many of which meet or exceed the quality of the less obscure ones. If I were to name my favorite progrock albums, there would be virtually no correlation between the album's obscurity and it's rank on my list. A Yes and a Crimson album would be represented somewhere in my top list, and probably Gentle Giant as well (depending on how large the list was). Then some slightly-obscure bands like Banco and Kenso would be found. Then, some very obscure bands like Atavism of Twilight and Dün (both of whom released one album in their careers, which has since been given only a small CD re-pressing) would get listed.

So, there's tons of progressive rock I want. Post-rock is also taking up a lot of my time, and who knows what will become of this movement in the future (maybe it will get a proper genre title, but the continuing Krautrock influence on new "art/avant indie rock" bands will no doubt lead to even more interesting music in the future, even if it doesn't immediately resemble post-rock). And then there's jazz and classical. Sheesh! I talked to Mike McLatchey (Exposé writer, Gnosis project guru, and all-around prog superfan) recently in the rec.music.progressive IRC chatroom that I started and help maintain, and McLatchey mentioned that he dare not get into classical music just because of the sheer volume of music... it would throw too large of a load on top of his already too large load. It's not that he's not interested, but there's just not enough time.

I'm lucky to be getting started in this Internet generation. Resources like Gnosis give me information that prog fans in the '70s could only have dreamed of. Lots of new rec.music.progressive members are people that listened to Yes and Gentle Giant in the '70s but didn't know about all these other bands "like them". Thanks to the myriad of progrock resources online, I won't spend 10-20 years listening to a limited catalog. I already have more (and more obscure) stuff than quite a few people that call themselves "prog fans". I can only imagine what I'll have in 10 years. My future career as a software designer will only help - people who sit at desks 8 hours a day tend to listen to a *lot* of music, especially if they're music collectors.

I figure if I can continue my pursued course in prog explorations, keep my eyes open to new "avant rock" movements, and hit the high notes and the "second tier" of jazz and classical, I can die a happy music buff. I'll need an afterlife to listen to everything that I want to, though. :)

Digging through all those new vinyls and CDs that I bought. I just ordered 5 more CDs and an LP (thanks to a CDNow gift certificate birthday present and some good used stuff at Half.com).

Soon to arrive in the mail:
Ange - Au-Dela Du Delire
Gentle Giant - Acquiring The Taste
Uz Jsme Doma - Ears
Mogwai - Ten Rapid
Ui - The Iron Apple EP
FM - Black Noise (used LP - 99 cents from Half.com)

Those first two CDs are among the top 100 rated albums at Gnosis (http://www.gnosis2000.net). I'll have the whole top 100 eventually (save the ones that are out-of-print). The Uz Jsme Doma is... I dunno. I've heard good things about UJD, but I've not heard them myself. But for $6.99, it's hard to ignore the praise. The Mogwai and Ui add to my building "post-rock" collection (which will be further bolstered with an order from Kranky and Constellation Records in the near future). And the FM is a prog album that I almost bought the CD of from CDNow (but the general consensus opinion is that it's not as good as the other things I bought). When I stumbled onto the vinyl for 99 cents at Half.com, I was quite glad I didn't buy the CD.

Playlist:
Brand X - Product
King Crimson - Lizard
Kansas - Song For America
Jethro Tull - Aqualung
PFM - Cook
Höstsonaten - Mirrorgames
Fly Pan Am - Fly Pan Am

Höstsonaten is such a flirt. The album keeps acting like it's going to be really good, and then stumbles a bit. It's a little frustrating because it could be so much better. Höstsonaten is a side-project of Finisterre's, so maybe I should look info Finisterre. A couple of their albums are supposed to be really good.

Fly Pan Am will probably be included in my Constellation order (which I'll likely make later this week). I need to listen to the MP3s more, but it seems pretty good. One track goes on for entirely too long, though (I believe the third, which eclipses 17 minutes despite not having quite enough interesting material to sustain that long period of time).

It's weird listening to PFM in English (on Cook, a live album recorded from US/Canada shows in 1974). I much prefer them in their native Italian. I've avoided "English versions" of Italian albums, due to the overriding consensus that these albums are typically inferior to their native Italian counterparts (and due to the fact that I have no ridiculous "must be in English!" bias). In fact, that brings us back to the Höstsonaten album, which is sung in English (Finisterre usually sings in Italian). The vocals are OK most of the time, but there are those moments when it's clear that these guys aren't native English speakers. Those moments are annoying and detract from the overall listening experience. The fact that the Finisterre albums aren't in English (and thus avoids one of Mirrorgames's pitfalls) is further motivation to pick one up.

Brand X is interesting. When I first became a progrock fan, it was a shock to learn that Phil Collins (*the* Phil Collins) used to play in a band like Genesis (and I mean the '70s art-rock version with Peter Gabriel on vocals, not the '80s/'90s pop band that mirrored Collins's solo career). It's even more shocking to hear Collins in Brand X, a fusion (jazz-rock) band. This is even less related to "pop" than Genesis (which still turned out a few singles despite not focusing on that sort of pursuit). It's a pretty decent album, despite being only the 5th highest rated (out of 9) at Gnosis. I hear that some of their earlier material smokes, so I'll keep an eye out for those. I think I might have seen a different Brand X LP at the store I bought this one from. I'll look closely for that next time.